- Is stereo louder than mono?
- What is a good EQ setting for vocals?
- What dB should vocals be at?
- Should I mix in mono?
- What dB should my mix be before mastering?
- Should Kick be louder than snare?
- How do professionals mix their vocals?
- Should I use mono or stereo plugins?
- What is dual mono?
- Should I double my vocals?
- Should vocals be mono or stereo?
- What’s the difference between mono and stereo?
Is stereo louder than mono?
Passing both files through a Loudness Meter confirms equal numerical Program Loudness.
However the numbers do not reflect an obvious perceptual difference during playback.
In fact the Mono file is perceptually louder than it’s Stereo counterpart..
What is a good EQ setting for vocals?
Best EQ Settings for VocalsRoll off the low-end starting around 90 Hz.Reduce the mud around 250 Hz.Add a high shelf around 9 kHz & a high roll off around 18 kHz.Add a presence boost around 5 kHz.Boost the core around 1 kHz to 2 kHz.Reduce sibilance around 5 kHz to 8 kHz.
What dB should vocals be at?
What dB should vocals be recorded at? You should record vocals at an average of -18dB for 24-bit resolution. The loudest parts of the recording should peak at -10dB and be lowest at -24dB. This is to keep an even balance on the level of the vocals without distortion.
Should I mix in mono?
Well, it’s generally much harder than mixing in stereo, but you’ll get much better results for your effort. The fact is that when you mix in mono you can really only separate different instruments by using differences in their relative levels and spectral content.
What dB should my mix be before mastering?
I recommend mixing at -23 dB LUFS, or having your peaks be between -18dB and -3dB. This will allow the mastering engineer the opportunity to process your song, without having to resort to turning it down.
Should Kick be louder than snare?
The snare is the foundation of the backbeat, and typically one of the loudest elements in the mix. Next, bring the kick fader up until it sounds almost as loud as the snare. It should be loud enough that the low frequencies are rich and powerful, but not so loud that it masks the bottom-end of the snare drum.
How do professionals mix their vocals?
Once you apply these ten techniques, your mixes as a whole will improve.Top-End Boost. … Use a De’Esser. … Remove Resonances. … Control the Dynamics with Automation. … Catch the Peaks with a Limiter. … Use Multiband Compression. … Enhance the Highs with Saturation. … Use Delays Instead of Reverb.More items…•
Should I use mono or stereo plugins?
A voice is mono by nature, so using the mono version of a plugin makes sense, it keeps it simple. A group of voices may be mic’d with several mics in which case working in stereo MAY make more sense. Processing a submix of vocals you almost always want to be in stereo so it preserves the stereo panning of your vocals.
What is dual mono?
Mono or monophonic audio describes a mix in which all sounds are mixed together into a single channel. The stereo audio mix will typically pan the sound of the car from left to right to follow the action of the vehicle. …
Should I double my vocals?
Human voices are limited and can easily get overthrown in a mix. With so much else going on in the mix (panned instruments, effects, etc.), doubling vocals allows the voice to stand out in a unique way, and can add greater depth to your mix.
Should vocals be mono or stereo?
Should you record vocals in mono or in stereo? If you are recording the vocals of one singer in a booth, then you should record in mono. However, if you are recording vocals of multiple singers and instruments, you should record in stereo. The terms mono and stereo are quite common in the sound recording industry.
What’s the difference between mono and stereo?
Mono tracks will output the same audio from both speakers. Stereo tracks will often pan the sound, driving different audio signals through the left and right speakers. This is a technique that can more accurately represent how live music is perceived by listeners.